Tag Archives: Paschal

Psalms, Hymns, and Spiritual Songs

What sort of songs should we be singing in worship? This debate has been going on for some time. I have known people who think this or that type of music should be sung and another that or this type. I have known people who refused to go to services because they played contemporary music. I know people who mock even the idea of playing a hymn in worship. I know many people within the same church that say they go to a different church than another person because they go to different services.

These ideas are wrong and bring disunity to the body of believers (Eph. 4:1-6, Col. 3:12-14). And I am not speaking specifically of liturgical or “modern” worship. That is a discussion for another day. Is there a way to create unity with an issue that has become strangely divisive? What sort of music should be sung in Church?

Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God. And whatever you do, whether in word or in deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him.

~ Colossians 3:16-17 ~

Speak to one another with Psalms, hymns and spiritual songs. Sing and make music in your heart to the Lord, always giving thanks to God the Father for everything, in the name of our Lord Jesus Christ.

~ Ephesians 5:19-20 ~

What should be said and sung in the Church? It is either “traditional” or “contemporary”? It is whatever is new? It is whatever is old? I think this battle has been over what the music sounds like and when it was written, overshadowing a more important factor: what the song teaches.

Too often I hear songs – new and old – that sound decent but contain nothing. There is no meat. There might be phrases or words that perhaps come from the Bible, but the songs do not teach or mean anything. The music sounds nice, but the words impart nothing useful. More often than not, if I would have heard these songs in any other context than Church, I would hardly recognize them as a “Christian” song.

But what should be said and sung in the Church? The two verses above explain that we Christians should speak and sing psalms, hymns, and spiritual songs that teach, admonish, rebuke, and encourage.

There are two related words used to describe Psalms in the New Testament. There is ψάλλω, or psallo, and ψαλμός, or psalmos, which translate as “psalm” and “psalms” and implied the aid of instruments (Strong’s5567.”, “5568.”). Unsurprisingly, similar words were used in the Old Testament (Strong’s “4210.”, “2172.”). The Greek phrase used in the above two verses specifically means “one who has it in his heart to sing or recite a song” of praise, thankfulness, confession, and admiration (Rom. 15:9, Eph. 5:19, Col. 3:16, Jas. 5:13; Strong’s “5568.”).

Hymns are akin to Psalms, their words, then and now, are often taken from psalms, though not always. Hymns were specifically sacred songs for God. Greek literature used the word ὕμνος or hymnos to praise great heroes, gods, and conquerors (Strong’s5215.”). In Scriptural context, these were lyrics that spoke the awesomeness (in the fullest sense of the word) of God (Psa. 40:4-5, 65:1-13, Isa. 42:10). Psalms sung the praise of someone; hymns were sung to someone. During this season of Lent, it would be good to point out some paschal hymns of the “great halal” of the Jews: Psalms 113-118 & 136 (BLBStrong’s “1984.”). These hymns were to the glory and celebration of God (Strong’s5214.”; Mat. 26:30, Mar. 14:26, Acts 16:25).

Finally, there are spiritual songs. The two Greek words here are πνευματικός, or pneumatikos, and ᾠδή, or ode (Strong’s4152.”, “5603.”). An ode is sung in praise of something, namely God. The word “spiritual” can mean non-human, a spirit, supernatural, religious, and ethereal (Strong’s4152.”). In Scripture, this word is used to refer to the things of God, the Spirit, and the renewed life Jesus has given us; the phrase means to sing of Spiritual things. In the context of music, I think means singing scripture as even the above verse says “let the Word of Christ dwell in you richly” as we sing.

All Scripture is God-breathed and useful for teaching, rebuking, correcting and training in righteousness, so that the man of God may be thoroughly equipped for every good work.

~ 2 Timothy 3:16-17 ~

Besides daily devotions and faithfully reading Scripture, I think the next best way to learn and remember Scripture is through song. How many childhood songs can you still remember? How many catchy advertisements? I would presume the number is high. This is true for three reasons: they were taught young, repetitively, and with music. With this in mind, we should strive to have all of our songs in worship be full of Scripture so that we can better remember the Word (Pro. 22:6). Hymns, Psalms, and Spiritual songs are drawn from Scripture so that they can teach, admonish, rebuke, and impart the wisdom of our God.

What then shall we say, brothers? When you come together, everyone has a hymn [psalm], a word of instruction, a revelation, a tongue, or an interpretation. All of these must be done for the strengthening of the church.

~ 1 Corinthians 14:26 ~

The word used here for “strengthening” is οἰκοδομή which means edification (Strong’s 3619.”). Therefore, what we should be singing should be edifying for the people of God and bring Him glory and praise. What we sing should be Scripture, which teaches, admonishes, praises, and edifies. The above forms have this main thread: they are drawn from Scripture and use music to help memorize God’s Word.

Here are some things to keep in mind regarding music in worship. The instruments do not really matter. The sound does not really matter unless it is painful, distracting, or detracting from worship (e.g., becomes a performance). Orderly worship is called for here, but I do not believe it is a battle between “contemporary” or “traditional’ styles. Both can be worshipful if done well and correctly, even together (1 Cor. 14:33 & 40). Singing to God should be done in unity, not division (Eph. 4:1-6, Col. 3:12-14).

What matters especially is what the songs teach. Do they praise our Lord? Do they teach His Word? What lyrics will be circling our minds and hearts, or our children’s, for the next week or decade? Not all “worship music” is edifying. There are hymns  that have not been entirely scriptural and contemporary music plainly quoting it, though this is often reversed.

Songs should be intentional and scriptural. They should teach, admonish, rebuke, praise, and impart wisdom. They should help us remember Scripture. We should sing of them when we are happy, when we walk along the way, waking and rising, and even in times of trouble (Deut. 6:4-9, Jas. 5:13, Act. 16:25). We should have the word of God and His praises in our hearts and on our lips always, and one way we can do this is by teaching scriptural psalms, hymns, and spiritual songs in worship.

How can a young man keep his way pure?

By living according to your word.

I seek you with all my heart;

do not let me stray from your commands.

I have hidden your word in my heart

that I might not sin against you.

Praise be to you, O Lord;

teach me your decrees.

With my lips I recount

all the laws that come from your mouth.

I rejoice in following your statutes

as one rejoices in great riches.

I meditate on your precepts

and consider your ways.

 I delight in your decrees;

I will not neglect your word.

~ Psalm 119:6-16 ~

Blessings to you and yours,

~Rose


(Examples of possible hymns in the NT: Phil. 2:6-11, 1 Tim. 3:16, 2 Tim 2:11-13, Rev. 5:9, 14:3, 15:3)

Hymns: “Go to Dark Gethsemane”

“Go to Dark Gethsemane”, a traditional hymn of Maundy Thursday and Good Friday, was written by James Montgomery. Montgomery was born in Scotland in 1771. He worked as a newspaper editor and wrote around 400 hymns and poems during his life. Another well-known hymn of his was “Angels from the Realms of Glory”. Though he supported various churches and Bible-based organizations, and wrote many hymns, he was not a minister. He did, however, have a great understanding and knowledge of Scripture, which is well-displayed in his hymns and poetry. He died in 1854, leaving his legacy as a well-loved and respected man.

The traditional tune used for the text of “Go to Dark Gethsemane” is the same for “Rock of Ages, Cleft for Me”. The tune’s name is REDHEAD NO. 76, after its composer, Richard Redhead. It is also sometimes called PETRA because of its association with “Rock of Ages”. This tune was first coupled with the hymn in 1853. Redhead was born the same year that the original version of this hymn was published and he died in 1901.

This is the first version, published in 1820:

1. “Go to dark Gethsemane, Ye that feel the tempter’s power; Your Redeemer’s conflict see; Watch with Him one bitter hour: Turn not from His griefs away; Learn from Him to watch and pray.

2. “See Him at the judgment-hall, Beaten, bound, reviled, arraign’d: See Him meekly bearing all! Love to man His soul sustain’d! Shun not suffering, shame or loss; Learn of Christ to bear the cross.

3. “Calvary’s mournful mountain view; There the Lord of Glory see, Made a sacrifice for you, Dying on the accursed tree: ‘It is finish’d,’ hear Him cry: Trust in Christ, and learn to die.

4. “Early to the tomb repair, Where they laid his breathless clay; Angels kept their vigils there: Who hath taken Him away? ‘Christ is risen!’ He seeks the skies; Saviour! teach us so to rise.”

In 1825, Montgomery published a second version, which most would recognize today. The first focuses more on the suffering of Christ and the second, while still focusing on the final hours of Jesus before His sacrifice, also seeks to teach the singer to follow Christ’s example. The second version of the hymn uses more imperative verbs, not only leading the singer through the account, but also setting an example and command. Additionally, each stanza ends in a petition for us to “follow in His steps” (1 Pet. 2:21).

Go to dark Gethsemane,
You who feel the tempter’s pow’r;
Your Redeemer’s conflict see;
Watch with Him one bitter hour;
Turn not from His griefs away;
Learn of Jesus Christ to pray.

The hymn begins the journey immediately after the institution of the Lord’s Supper (Mat. 26:17-20). We are told to go and watch the journey of Jesus, beginning with Him and His disciples at the Mount of Olives and Gethsemane, which means “oil press” (Mat. 26:30 & 36). Here were are reminded of what suffering Jesus endured even before His Crucifixion – and He knowing fully where He was going and what He would endure! – and praying to His Father  in agony (Heb. 4:14-16, Mat. 26:26-46, Mar. 14:32-42, Luk. 22:39-46). As the disciples are implored to keep awake and pray, so are we, be that “bitter hour” Good Friday night, the times we pray in trouble, or every day of our lives (Luk. 11:1-4, 1 Thes. 5:17, Jas. 5:13). Let us not ignore or forget what He suffered, but remember and be thankful, praying to the Lord for His help.

Follow to the judgment hall;
View the Lord of life arraigned;
O the worm-wood and the gall!
O the pangs His soul sustained!
Shun not suff’ring, shame, or loss;
Learn of Him to bear the cross.

The hymn skips the betrayal and moves us straight to the judgement when our sinless Savior was questioned, though He remained silent (Mat. 26:57-67, 27:11-31, John 18:28-19:16). He knew the sacrifice that needed to be made for our sins so that we might be made righteous (Isa. 53:1-12, John 1:29, 1 Pet. 2:22-25). We need to watch and know how He took on our iniquities and was willing to die even though he was without sin. The hymn uses a word found in Revelation, but the “wormwood and the gall” is to describe the bitterness and ugliness of the Crucifixion in addition to the spiritual pain our Lord went through (Mat. 27:32-44, Rev. 8:11, Lam. 3:19). There is no better word than excruciating. Here we are implored and encouraged to not avoid suffering, but instead to learn from Christ how to endure suffering as Christians (1 Pet. 2:21, Mar. 8:34-37,  Rom. 5:1-8, Heb. 5:8-9).

Calv’ry’s mournful mountain climb
There’ adoring at His feet,
Mark the miracle of time,
God’s own sacrifice complete:
“It is finished!” Hear Him cry;
Learn of Jesus Christ to die.

Finally, we make it to  Calvary, Golgotha, where Christ made His redeeming act for our souls (John 3:16, 19:17-37, Mat. 27:45-54). While many there were mocking Him, we should be the ones at His feet adoring Him. Our sins were on Him and our souls redeemed with His blood. Without Him, we are truly dead; nothing but adoration should be in us for our Lord (1 Cor. 15:32, Eph. 2:1-10). It is Jesus Words that we quote when we say, “It is finished!” And what was finished, fulfilled? His promise from Creation: that God would die for the sins of many (Gen. 3:15, 1 John 2:2). This is the miracle of time. We too are to die to ourselves, to die to the sinful nature, that we might be made alive in Christ and gain the life that is truly life in Christ (Mat. 10:38-39, 16:24-26, Luk. 9:23, Rom. 6:11, 1 Pet. 3:18). We should follow Christ’s example in this matter: to put our Father’s will above our own (Phil. 2:5-11).

Early hasten to the tomb
Where they laid his breathless clay;
All is solitude and gloom;
Who hath taken Him away?
Christ is ris’n! He meets our eyes:
Savior, teach us so to rise.

finally, we are brought to the last station, and this is the Resurrection! Though He died, was buried, and descended into Hell, He also rose again, as He promised, on the third day! (John 2:19, Mat. 27:57-28-10, Luk. 23:50-24:49, John 19:28-20:31) Though we are mournful on Good Friday, we can rejoice because He is risen! He is risen indeed, Alleluia! Why can we rejoice? Because death is not final and we will live forever with Him who saved us (Hos. 13:13, 1 cor. 15:20-22, 57). We also press on in faith and hope towards the goal to which Christ has called us (Phil. 3:12-21, Heb. 12:1-3).

I remember my affliction and my wandering, the bitterness and the gall.
I well remember them, and my soul is downcast within me.
Yet this I call to mind and therefore I have hope:
Because of the LORD’s great love we are not consumed, for his compassions never fail.
They are new every morning; great is your faithfulness.
I say to myself, “The LORD is my portion; therefore I will wait for him.”
The LORD is good to those whose hope is in him, to the one who seeks him;
it is good to wait quietly for the salvation of the LORD.

~ Lamentations 3:19-26 ~

Blessings to you and yours,

~Rose

 


Works Referenced

“Gethsemane.” The Online Etymology Dictionary

“Go to Dark Gethsemane.”: History and Lyrics